This project starts from that loss in order to explore its traces and possible continuities. By combining automata that mechanically reinterpret human work rhythms, original recordings of contemporary environments, and historical sound archives collected by Alan Lomax in the 1950s, an acoustic space is constructed in which different temporalities coexist. The result is a layering of textures that places listening between memory and reconfiguration, between the organic and the artificial.

Rather than attempting reconstruction, the project proposes listening to the lost soundscape as a field of still-active resonances. In this sense, it points to the possibility that certain relationships between labour, territory, and sound—though blurred—may re-emerge, transformed, in a possible future.

The visitor is invited to inhabit this listening space, where labour, territory, and technology engage in a new form of sonic presence.