The rationality of money and the power of interest rates, the division of time by the clock and of space by cadastral territorial records are abstract features of social life, yet each of them seems to have far more power over us than we have over them. (David Harvey)

The installation aims to evoke an omnipresent skyline in many of our towns and cities, and to symbolize everything that represents a supposed progress, increase in well-being and civilization, but which at the same time entails irreversible processes of degradation of human beings and the environment. A disregarded society, and a mistreated social capital.

A reflection on how far we are from nature and community life, and how, in the name of the supposed possibilities of modernity, we are inevitably driven towards the end of the concept of continuous growth.

An installation in the form of an anthropocentric dance, which, through a choreography of tireless turns, leads us to think about a return to a cyclical conception of time and, in some way, to the attempt to seek a way of life more in accordance with the laws of nature.